The Seasonal Quartet by Ali Smith

My wonderful sister sent me these books, one by one over the span of a couple of years. They are lovely to look at and my OCD side loved seeing them lined up on my shelf as the spines are as pretty as the covers.

And so they sat, and sat. I often dipped into Ms. Smith’s first one in the quartet – Autumn- but I never got too far. So this past month I decided to delve deep and get going on this very well-received, Booker-prize winning series.

I guess I’ll start with the story line — Daniel Gluck is 103 years old sleeping deeply in a hospital bed. At his side is Elisabeth Demand, a 32-year-old art lecturer. They became friends when Elisabeth was a girl, with Daniel acting as a father figure and a teacher. As she reads to him in his hospital room, she remembers the conversations they had back then, how he cultivated her interest in art and taught her so many other things. And as Daniel slumbers, we observe his dreams: surreal recollections of his career and unrequited love.

We also follow Elizabeth’s life outside of the hospital visits and this gives Ms. Smith the chance to commentate on the state of the post-Brexit Britain. From the idiotic bureaucracy at the post office, to the ominous electric fence erected in the middle of town, it is an unhappy portrait. Not unlike what we continue to go through here in the U.S.

I’m tired of the news. I’m tired of the way it makes things spectacular that aren’t, and deals so simplistically with what’s truly appalling. I’m tired of the vitriol. I’m tired of anger. I’m tired of the meanness. I’m tired of selfishness. I’m tired of how we’re doing nothing to stop it. I’m tired of how we’re encouraging it. I’m tired of the violence that’s on it’s way, that’s coming, that hasn’t happened yet. I’m tired of liars. I’m tired of sanctified liars. I’m tired of how those liars have let this happen. I’m tired of having to wonder whether they did it out of stupidity or did it on purpose. I’m tired of lying governments. I’m tired of people not caring whether they’re being lied to anymore. I’m tired of being made to feel this fearful. I’m tired of pusillanimosity.

I don’t think that’s actually a word, Elisabeth says.

I’m tired of not knowing the right words, her mother says.

At this point I have to tell you that, although Autumn is a short novel, I still skipped around a lot — but at times the writing was beautiful and heart-wrenching – I especially like this passage about reading.

The words had acted like a charm. They’d released it all, in seconds. They’d made everything happening stand just far enough away.
It was nothing less than magic. Who needs a passport?
Who am I? Where am I? What am I?

I’m reading.

But then there were pages and passages that frustrated this reader with their stream of consciousness:

Where do I start? I’m the butterfly antenna. I’m the chemicals that paint’s made of. I’m the person dead at the water’s edge. I’m the water. I’m the edge. I’m the skin cells. I’m the smell of disinfectant. I’m that thing they rub against your mouth to moisten it, can you feel it? I’m soft. I’m hard. I’m glass. I’m sand. I’m a yellow plastic bottle. I’m all the plastics in the seas and in the guts of all the fishes. I’m the fishes. I’m the seas. I’m molluscs in the seas. I’m the flattened-out old beer can. I’m the shopping trolley in the canal. I’m the note on the stave, the bird on the line. I’m the stave. I’m the line. I’m spiders. I’m seeds. I’m water. I’m heart. I’m the cotton of the sheet. ….. I’m pollution. I’m a fall of horseshit on a country road a hundred years ago. … I’m the fly …..I haven’t even started telling you what I am. I’m everything that makes everything. I’m everything that unmakes everything. …. I’m the voice that tells no story.

And at times it is cringe-worthily over written

(sort of like that sentence, sorry):

He’s nothing but a torn leaf scrap on the surface of a running brook, green veins and leaf-stuff, water and current, Daniel Gluck taking leaf of his senses at last, his tongue a broad green leaf, leaves growing through the sockets of his eyes, leaves thrustling (very good word for it) out of his ears, leaves tenderizing down through the caves of his nostrils and out and round til he’s swathed in foliage, leafskin, relief

I flipped pages back and forth trying to get a bead on where this novel was going, all the while remembering this review from the Atlantic ~~

“Autumn is a gorgeously constructed puzzle that challenges the reader to solve it, with a narrative that darts back and forth in time and space. . . . As the novel proceeds, she layers together fragments of books and paintings and song lyrics in an act of literary decoupage, as if to mimic the fragile patchwork of national identity”.

I guess I’m not up to the challenge, because while I did finish Autumn, I’m not sure what I read — yes there was a story of a dying man as he looks back on his life, but just as I was getting into the rhythm of that — sudden rants about Brexit, disconnected thoughts that continue page after page, and then there are endless lists that only someone made sense.

The relationship between Daniel and Elisabeth kept me reading the story. I did chuckle and enjoy the efforts behind getting a passport renewed, but I didn’t understand the tree thing (if you’ve read Autumn, and do understand the tree analogies please explain.)

In summary, Ms. Smith has given us interesting characters, with some compelling vignettes, but all leading to nowhere clear. Autumn is greatly admired and won the Booker Prize — but this reader is obtuse and unable to figure it out.

The series will stay on my shelves as they are so nice — and maybe to impress– but mostly to perhaps later try the next one — Winter.

If you want to try this series, fair warning — it is very much suited to a British audience with expressions, subtleties and personalities that are singularly British.

What’s next? I’ll be taking a short break, more on why later.

Suffice it to say — it involves some packing…