My wonderful sister sent me these books, one by one over the span of a couple of years. They are lovely to look at and my OCD side loved seeing them lined up on my shelf as the spines are as pretty as the covers.
And so they sat, and sat. I often dipped into Ms. Smith’s first one in the quartet – Autumn- but I never got too far. So this past month I decided to delve deep and get going on this very well-received, Booker-prize winning series.
I guess I’ll start with the story line — Daniel Gluck is 103 years old sleeping deeply in a hospital bed. At his side is Elisabeth Demand, a 32-year-old art lecturer. They became friends when Elisabeth was a girl, with Daniel acting as a father figure and a teacher. As she reads to him in his hospital room, she remembers the conversations they had back then, how he cultivated her interest in art and taught her so many other things. And as Daniel slumbers, we observe his dreams: surreal recollections of his career and unrequited love.
We also follow Elizabeth’s life outside of the hospital visits and this gives Ms. Smith the chance to commentate on the state of the post-Brexit Britain. From the idiotic bureaucracy at the post office, to the ominous electric fence erected in the middle of town, it is an unhappy portrait. Not unlike what we continue to go through here in the U.S.
I’m tired of the news. I’m tired of the way it makes things spectacular that aren’t, and deals so simplistically with what’s truly appalling. I’m tired of the vitriol. I’m tired of anger. I’m tired of the meanness. I’m tired of selfishness. I’m tired of how we’re doing nothing to stop it. I’m tired of how we’re encouraging it. I’m tired of the violence that’s on it’s way, that’s coming, that hasn’t happened yet. I’m tired of liars. I’m tired of sanctified liars. I’m tired of how those liars have let this happen. I’m tired of having to wonder whether they did it out of stupidity or did it on purpose. I’m tired of lying governments. I’m tired of people not caring whether they’re being lied to anymore. I’m tired of being made to feel this fearful. I’m tired of pusillanimosity.
I don’t think that’s actually a word, Elisabeth says.
I’m tired of not knowing the right words, her mother says.
At this point I have to tell you that, although Autumn is a short novel, I still skipped around a lot — but at times the writing was beautiful and heart-wrenching – I especially like this passage about reading.
The words had acted like a charm. They’d released it all, in seconds. They’d made everything happening stand just far enough away. It was nothing less than magic. Who needs a passport? Who am I? Where am I? What am I?
I’m reading.
But then there were pages and passages that frustrated this reader with their stream of consciousness:
Where do I start? I’m the butterfly antenna. I’m the chemicals that paint’s made of. I’m the person dead at the water’s edge. I’m the water. I’m the edge. I’m the skin cells. I’m the smell of disinfectant. I’m that thing they rub against your mouth to moisten it, can you feel it? I’m soft. I’m hard. I’m glass. I’m sand. I’m a yellow plastic bottle. I’m all the plastics in the seas and in the guts of all the fishes. I’m the fishes. I’m the seas. I’m molluscs in the seas. I’m the flattened-out old beer can. I’m the shopping trolley in the canal. I’m the note on the stave, the bird on the line. I’m the stave. I’m the line. I’m spiders. I’m seeds. I’m water. I’m heart. I’m the cotton of the sheet. ….. I’m pollution. I’m a fall of horseshit on a country road a hundred years ago. … I’m the fly …..I haven’t even started telling you what I am. I’m everything that makes everything. I’m everything that unmakes everything. …. I’m the voice that tells no story.
And at times it is cringe-worthily over written
(sort of like that sentence, sorry):
He’s nothing but a torn leaf scrap on the surface of a running brook, green veins and leaf-stuff, water and current, Daniel Gluck taking leaf of his senses at last, his tongue a broad green leaf, leaves growing through the sockets of his eyes, leaves thrustling (very good word for it) out of his ears, leaves tenderizing down through the caves of his nostrils and out and round til he’s swathed in foliage, leafskin, relief
I flipped pages back and forth trying to get a bead on where this novel was going, all the while remembering this review from the Atlantic ~~
“Autumn is a gorgeously constructed puzzle that challenges the reader to solve it, with a narrative that darts back and forth in time and space. . . . As the novel proceeds, she layers together fragments of books and paintings and song lyrics in an act of literary decoupage, as if to mimic the fragile patchwork of national identity”.
I guess I’m not up to the challenge, because while I did finish Autumn, I’m not sure what I read — yes there was a story of a dying man as he looks back on his life, but just as I was getting into the rhythm of that — sudden rants about Brexit, disconnected thoughts that continue page after page, and then there are endless lists that only someone made sense.
The relationship between Daniel and Elisabeth kept me reading the story. I did chuckle and enjoy the efforts behind getting a passport renewed, but I didn’t understand the tree thing (if you’ve read Autumn, and do understand the tree analogies please explain.)
In summary, Ms. Smith has given us interesting characters, with some compelling vignettes, but all leading to nowhere clear. Autumn is greatly admired and won the Booker Prize — but this reader is obtuse and unable to figure it out.
The series will stay on my shelves as they are so nice — and maybe to impress– but mostly to perhaps later try the next one — Winter.
If you want to try this series, fair warning — it is very much suited to a British audience with expressions, subtleties and personalities that are singularly British.
What’s next? I’ll be taking a short break, more on why later.
The Lost Art of Keeping Secrets is not a book I’d ever heard of and even though it was published back in 2005, it got very little publicity over here. But when it was featured on Miranda’s book tube channel and compared to “I Capture the Castle” (which I read and enjoyed many years ago), I decided to seek it out. I was currently struggling and stuck in the middle of another book, so decided I needed something fresh – and this was just the ticket.
This effervescent historical novel is set in post WWII England during a time of change – the 1950’s. The focus is on young people who are coming into their own and are ready to toss away the memories of the war They’ve had enough of rationing, death and serious war news — they want to enjoy being young.
Penelope and Inigo Wallace live with their young, beautiful and widowed mother in a glorious, crumbling medieval English mansion. It is one of the last of the great houses and it is falling down around them as they have no money to keep it up.
The year is 1954 and, one day as Penelope is waiting for a bus in London, she is swept away by Charlotte, an high-spirited, confident young woman, wearing stylish clothes, and who needs someone to share a taxi. Charlotte brings Penelope home to meet her aunt Clare and cousin Harry, and Penelope is pulled into a more exiting and elegant world — one that she had only dreamed of from the bleakness of the manor.
Penelope is slightly awkward, very English but the two girls soon form a fast friendship…especially when they discover they both adore and are desperately in love with Johnnie Ray, an early rock and singer from America. Soon Penelope is a regular at Aunt Clare’s and relishes the atmosphere, cousin Harry, an amateur magician, but especially the tea —
Ah tea — there was something about the taste of hot buttered toast with gooseberry jam in Aunt Clare’s study that could never be replicated anywhere else.
Charlotte takes Penelope shopping for new clothes, and as a budding dressmaker crafts a wonderful dress for her as well. They go to dinners, parties and dances — they stay up all night, drink too much, fall in and out of love. But it’s often all too marvelous for Penelope to handle…
I thought of Mama, shattered and torn by the war and Papa’s death, and I wished with all my heart that she could understand how it felt to be us that night — how it felt to feel eighteen and unbeaten, eighteen and alive.
She is, at times, both uncomfortable but also delightfully attracted to this new way of life…
I realized that it was possible for the world to spin just for you, even if only for the length of time that it took to have dinner.
Ms. Rice, has a power with words. From the first page of the novel I felt the time and setting perfectly. She’s created vivid characters and some of the best snappy dialogue which made me giggle out loud.
I was completely taken away with this 1950s time-capsule feel, everything from the language used to emotions evoked took me right there. There are the gorgeous descriptions of the clothes, old crumbling houses, and the cluttered Georgian flat of Aunt Clare. But I especially loved the friendship of the two girls; it was sincere and supportive and it was fun and joy to read as the girls deal with their youth, romantic ideas and the very funny idolization of Johnnie Ray.
And don’t worry, The Lost Art of Keeping Secrets is wonderfully lacking in any sort of teenage melodrama or angst. And, yes there are secrets throughout — secrets kept and revealed but you’ll have to read the book to find out. The author wraps up the ending all very tidy, and somewhat expected, but I had such fun along the way that I didn’t mind that in the slightest.
Earlier I used the word effervescent and I will repeat it again as that’s exactly what this book is — it’s effervescent, charming and quirky, but is also a sweet, fun book and it made me laugh, but it also choked me up at times.
So this novel gets a huge thumbs up, but I can’t believe the book is ten years old, how come no one ever told me about this one before? Book Barmy readers, if you know of more books like this, please let me know, I need them in my life.
I think I’ll go re-read this in the meantime – it’s been much too long…
When we were in New York City a few years ago, I was able to talk Husband into venturing into Tribeca, home of the famous (at least to me) Mysterious Bookshop. It’s a wonderful shop run by the infamous Otto Penzler and devoted entirely to mysteries.
Most tempting was this section of Bibliomysteries.
Found only at this bookshop, these small volumes are short mysteries stories themed or set in bookstores, libraries, or just involving books. I purchased up a few, I mean, how could I resist – really? They are perfect to put in pocket, stash in the glove compartment or tucked into a carry-on – just in case you get caught without something to read (gasp!).
During our last trip I experienced such an occasion and lucky for me, had this in my purse:
Seven Years by Peter Robinson
Retired professor, Donald Aitcheson, spends his time driving through the English countryside, exploring small villages and dipping into whatever used bookstores he can find. (A man after my own heart.)
It is one of the greatest pleasures of my retirement to set out early on a fine morning for some ancient town or city renowned for the quantity and quality of its second-hand bookshops.
On one such outing, he finds a collection of Robert Browning’s poetry with an inscription that uses lines from “Porphyria’s Lover” to threaten the book’s original recipient. Perhaps this note was only a joke made in poor taste; still, something about its tone captivates Aitcheson’s otherwise unoccupied mind, and leads him to a remote boarding school to investigate. But when what starts as a harmless game of detective comes too close to a deadly truth, Aitcheson finds himself face-to-face with a killer, and learns that some pages are best left unturned…
A short read, but extremely well-plotted and with an unexpected ending –there’s substance in this novella.
Peter Robinson is best known for his Inspector Banks series (of which I’ve read a few) and remember admiring his writing style, his characters come alive, and the settings in Yorkshire were wonderfully rendered.
I thoroughly enjoyed reading this short novel during my hour wait.
Thrillers are not my go-to reading genre, but I do like them when traveling. The tedious airplane trips especially call for a good page-turner. My only thriller requirement is that it has to be well written with good reviews.
I chose the The Kind Worth Killing because the Washington Post said “it should be a contender for crime fiction’s best first novel of 2014.” It has also been compared to Gone Girl, a thriller which I really admired (the film, not so much). This is a modern re-imagining of Patricia Highsmith’s 1950 classic thriller, Strangers on a Train, but trust me, with many different and unique twists.
The flight from London to Boston is delayed and Lily, a young beautiful woman sits down next to Ted and as alcohol loosens his tongue, he tells her about his cheating wife. It turns out they are on the same flight and arrange to sit next to each other. By the end of the flight and more discussion, Lily says:
Truthfully, I don’t think murder is necessarily as bad as people make it out to be. Everyone dies. What difference does it make if a few bad apples get pushed along a little sooner than God intended? And your wife, for example, seems like the kind worth killing.
At first, it is very, very similar to “Strangers on a Train” but about a third of the way through The Kind Worth Killing takes some jaw-dropping twists and turns, and things get more and more complicated. (turns out murder is really hard, you guys.)
The novel uses alternating narratives of the main characters, and it switches between past and current timelines. Mr. Swanson does this masterfully, using the past narratives to provide details, previous connections and clues. At the same time, he manages to hold back enough specifics to keep you guessing on how everything is going to end.
The writing never feels gimmicky or contrived. Every time I thought I knew where it was going, more twists would happen but the writing kept it natural and soberly real. What I found most enjoyable, was when the layers were peeled back to reveal more information about each character, and new ones were introduced.
It’s a game of cat and mouse…but just who is the cat and who is the mouse? My head was spinning – who is the killer? Who is the victim? Is there anyone you can trust?
I was shocked at the ending, and read it twice. I did not see it coming and the story ends a far cry from what I expected…hmmmm.
And I think I will stop here, and not reveal anything further so I don’t spoil it for you. Because if you like thrillers, or need a good vacation read – you must read A Kind Worth Killing.
And because I will never learn…
There is a second in this series, which I hope picks up where this left off.
And another to add to my list — Mr. Swanson also wrote The Girl with a Clock for a Heart—which the Washington Post raves, “should be a contender for crime fiction’s best first novel of 2014.”
Yes, two more books to add to my pile – it’s a sickness I tell you, but I don’t need or want help…Okay?
I very much enjoy reading and learning about history through fiction. The few non-fiction history books I’ve read were quite worthy, but I’ll admit, a struggle. I decided to finally read this much-touted historical novel which the publisher kindly sent me two years ago .
The novel revolves around early 20th-century Colorado mine workers and their struggles to unionize.
Hmm, I thought, this could be really interesting part of American history, of which I know nothing about.
The Gilded Mountain is set in a 1907, and opens with the Pelletier family’s treacherous journey from the east to Colorado to join their father who has secured work in a mine. Sylvie, her mother and two brothers travel through winter storms and rough terrain until they reach Moonstone Colorado, the mining town where they reunite with their father.
Once there Sylvie and her family endure hunger and dismal living conditions in a company-owned shack. Her father faces the dangerous conditions working in the marble mine and like the other workers, struggle for the paltry wages that are eaten up by rent and sparse food. Often the workers are not paid at all. Thus begins the roots of the Colorado mine workers labor movement.
As we follow Sylvie she first gets hired as the personal secretary to the mine owner’s wife and spends a summer observing the gilded life that the other half lives. The next summer, she gets a job with the town newspaper and begins to report and write about the mine labor issues and their attempts to form a mine workers union. She finds herself falling for Jace, the idealistic son of the mine owner, as well as George, a union organizer. Sylvie struggles with what to do with her life and her heart.
Still with me? Well good for you, because even trying to write about this book – I’m bored. And that’s exactly what happened with this novel. Oh readers, I wanted to like it, and the first half of the book was good, absorbing the reader in the grim realities of the Pelletier family trying to just survive just a day, a week — in the mining camp. The author does a nice job of settings – the descriptions of the dazzling white marble being mined by overworked miners, in unsafe conditions, often without pay, really stuck out.
But eventually it dawned on me, I had been putting this book down, and reading it became more and more laborious — I was bored, disinterested and had been forcing myself to keep on reading – but why?
Truth be told, I did not care a wit about any of the one-dimensional characters, I kept expecting more development – more depth to any of them. Sylvie became especially unbearable. But a bright spot before I left the book was Mother Mary Harris Jones — yes that Mother Jones – a force to be reckoned with. She marched and protested for the miners, with great energy and despite her ancient age. Her dialogue was snappy and real, but not enough to keep me reading.
There are racial issues brought up in the story line, even including quotes from one of the black writers of the time, W.E B. DuBois. But while racial conflicts had great consequences during this time – it felt forced into this story line.
Although I would have liked to know how everything ended, I looked at my pile of un-read books and thought this low key boredom is not why I read.
What did I take away from what I did read?
The Gilded Mountain is a stark treatise on the harsh life of miners in early 20th Century and I learned a bit about mining, union organizing and busting, entitled rich and the ways they kept their workers desperately poor.
But none of it had any real soul. I should have read a history book.
N.B. You all know how much I dislike bashing books and their authors and I truly recognize all the pain, work and dedication it takes to write and publish a book. But I have to be honest about my (and only my) assessment. Others obviously disagree — there are many rave reviews for this book — but well – that’s what makes the world go ’round.
There are plenty of other books and stories out in the world — many of them here at Book Barmy headquarters.
I’m off to start something new.
A digital review copy of The Gilded Mountainwas kindly provided by Scribner via Netgalley
It has been rainy and windy, my garden daffodils got pelted, and I was gloomy. So, as usual, I turned to my book shelves searching for something springlike.
I found this book, which I read ages ago — it even had my notes written up inside. I decided to revisit The Language of Flowers and ended up re-reading the entire book – ignoring the other stack of books awaiting me.
The novel follows Victoria Jones, a young woman who grew up in foster care system. Emotionally damaged by being abandoned at birth and childhood abuse, she is unable to maintain healthy relationships. She chooses self-destructing behavior and pushes herself away from those who might care.
Her one true connection is to flowers, and as a flower arranger, Victoria realizes she has a gift for helping others through the flowers she chooses for them. Each plant and flower holds a meaning and when placed skillfully and precisely in an arrangement, conveys deep meaning. The novel was inspired by a flower dictionary, a type of Victorian-era book which defines what different types of flowers mean (more on that at the end).
Victoria is flawed, insecure and yet strong — an often quite unlikeable. Nevertheless, she stole my heart from the beginning and I grew to empathize and love her more with each page. There were times when I just wanted to yell at her to wake up and get a grip. And, just when I thought she wouldn’t, she did just that. I truly enjoyed following Victoria’s journey. The characters and relationships that surround and shape her are complex and layered. Many of Victoria’s personal choices had me shaking my head, but as I re-read this fine novel,I found I was rooting for her to find her true happiness and contentment.
The flowers and their meanings are not just a gimmick of the novel — they add much depth and feelings to the story.
“I’m talking about the language of flowers. It’s from the Victorian era, like your name. If a man gave a young lady a bouquet of flowers, she would race home and try to decode it like a secret message. Red roses mean love; yellow roses infidelity. So a man would have to choose his flowers carefully.”
The Language of Flowers, offers a story of survival, strength and love, and it made my heart smile.
N.B. As I finished the book, I remembered a book in my gardening section (Yes, no surprise here, I have collections/and sections in my shelves.) someone in a former book group gave me this little gem. I put it next to my stack of books I plan to read – just to dip into – fascinating.
And our author, Ms. Diffenbaugh, has written the introduction to modern and updated take on this Victorian classic – but, I will stick with my cherished version above.
BARMY: British • informal 1. marked by spirited enjoyment
2. informal or slang term for mentally irregular
Origin late 15th century
It’s not that I don’t like people. It’s just when I’m in the company of others, even my nearest and dearest, there always comes a moment when I’d rather be reading a book.