Helene Hanff – a love affair

Thanks to Simon at Stuck in A Book, I was reminded of my long-time love affair with Helene Hanff -a lesser-known author who has achieved cult status among bibliophiles.  Ms. Hanff was a hard working writer–she wrote essays, television screen plays, magazine articles and industry trade publications –most anything to pay the rent.  She was also witty, intelligent and incredibly well read.   She put her love of literature, London and New York City into her wonderfully captivating writing. Her books are just plain terrific, based on her own experiences — no fiction necessary here — and none will take you long to read.   I believe all are well-worth a permanent place in your personal libraries.

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Ms. Hanff (and yes she would have insisted on ‘Ms’) is most famous for her book 84 Charing Cross Road, which I have read and re-read so many times I had to buy myself a new copy. In case you don’t know of this book – it is must reading for any bibliophile.  It chronicles the 20-year  correspondence between Ms. Hanff and a London antique bookshop located at 84, Charing Cross Road.  Ms. Hanff writes to this bookshop seeking various English literature titles in nice affordable volumes.  To her delight, she receives not only affordable, but beautifully bound antique editions of her requests — “so fine they embarrass my orange-crate bookshelves”.  The letters back and forth over the years are funny, warm and sometimes heartbreaking.   The correspondence captures not only the shared love of literature, but family news, dental woes, wartime shortages  (she sends the shop food packages during war rationing years) and finding book treasures at English estate sales.  The book was made into a 1986 film which did a passable job of portraying the characters and the premise.  It stars Anne Bancroft and Anthony Hopkins so you won’t be wasting your time.  Remember tingle books?  84, Charing Cross is on my top 10 list.

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The Duchess of Bloomsbury Street  chronicles Ms. Hanff’s experiences in London after the publication of 84, Charing Cross Road.  She finally makes her first long overdue trip to London and meets her friends from the bookshop, as well as her fans.  Taken completely by surprise, Ms. Hanff and her book are
celebrities in London.  Here she tells of this once-in-a-lifetime trip where she is treated to a whirlwind of introductions, dinners, teas, tours and finally seeing her precious London.

 

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If you’re going to New York City, live there, or just love the city from afar, you need to find yourself a copy of Letter From New York. 

From the back cover:  From 1978 to 1984, Hanff ( 84 Charing Cross Road ) recorded a five-minute broadcast once a month for the BBC’s Woman’s Hour about her everyday experiences as a resident of New York City.

Here you’ll meet her friends, neighbors and fellow apartment-house dwellers.  She describes free concerts, out-of-the-way city parks, her favorite neighborhoods, people and dogs.  This is Ms. Hanff’s New York City – sweetly old-fashioned, intimate and never pretentious.

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Ms. Hanff was unable to finish her college education, she simply ran out of money.  So she decided to educate herself at the public library by working her way through English Literature A to Z.  Q’s Legacy chronicles how she discovers Sir Arthur Quiller-Couch –the infamous Cambridge Dean of English Literature and his book “On the Art of Writing”. Reading “Q” spawns a long reading list which now includes English lit classics from Milton, Newman and Walton.  Ms. Hanff is unable to find affordable or attractive copies in NYC bookstores.  Then one day while reading The Sunday Review of Literature, she spots an advertisement for a bookshop in London …and so the story loops back to the genesis of  84, Charing Cross Road. 

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Here’s a photo of the bookshop – Marks & Co.

 

 

 

 

 

 

And a portrait of Ms. Hanff – her favorite.

 

 

 

 

 

Ms. Hanff passed away in 1997 – poor and without any surviving relatives.  Her NY Times obit HERE.

I think that somehow she must know her books are beloved, re-read and cherished by many a book lover.

 

 

French Dirt by Richard Goodman

Richard Goodman saw the ad in the paper: “SOUTHERN FRANCE: Stone house in Village near Nimes/Avignon/Uzes. 4 BR, 2 baths, fireplace, books, desk, bikes. Perfect for writing, painting, exploring & experiencing la France profonde. $450 mo. plus utilities.

And so, with his girlfriend Iggy, he leaves New York City to spend a year renting a two hundred year old stone house in Southern France. Located in a small village fictionally called St. Sebastien de Caisson, it doesn’t have a cafe, store or even a post office.  Starry-eyed, Richard and Iggy soon discover they are having a tough time connecting with the locals.  Out of necessity, Richard works in a vineyard in exchange for firewood. In the vineyard, he forms a solitary friendship with Jules, a handsome 25 year old, and through that relationship Richard borrows a small plot of land.  Having a difficult time making friends in his little village, Richard determines to make a vegetable garden instead.

Oh no, you say, not another “my experiences in France book” — trust me, this one is different — part travelogue, part gardener’s journal, part pilgrimage and wholly enjoyable.  I read French Dirt when it was first published in the 90’s and remember it fondly.  It has recently been republished with a pretty new cover (shown here) and when I picked it up in the bookstore, I remembered I still had my copy lurking in my towering chaos collection of books. I dug out my older copy (Yes, I knew right where it was – I’m a “rainman” when it comes to locating my books) and re-read French Dirt over the last two evenings.

What sets this tale apart from the plethora of “my life in France” books, is that Richard is such a hapless American on so many levels. His plans for his garden, forming friendships with the locals, and settling in to a new life often go awry.  You chuckle and wince as he binge-buys plants and tries to sort out conflicting advice from the villagers — but then you cheer as he toils and worries over his garden, delights in its growth and is distraught by his garden disasters — all while the neighbors politely hide their amusement at the silly American.

It’s not all fun and games, there is quiet despair as Richard struggles to master the ancient house repairs and loneliness when they are housebound during an endless number of rainy days.   But as his garden grows, slow friendships also develop.  There is a heart-warming and funny description of a prank in which one of the least likely villagers secretly places perfect red, ripe tomatoes in his garden in early June.

Happily, the book does not parody the villagers — there are no caricatures of French people – they are treated gently and with respect in this memoir.  And while Richard struggles and fails, he never feels sorry for himself or blames others.   He is open and honest with his own shortcomings.  Richard is also serious and perhaps even somber as he recounts the backbreaking hours in the brutal Southern French sun — all for a beloved garden which he knows he must abandon at the end of the year.

He writes; “I would crouch down on one knee, thrust my hand shovel in and turn the earth up and over, revealing its darker, humid underside. Then I would crumble it slowly in my hands to better allow the plant to breathe. In that sense I had a comradeship with the earth: I must be able to breathe, too.”

No question that this is a “gardener’s tale” — if you are not interested in gardens or gardening – this may not be a book for you.  And admittedly, the writing is often far from perfect, but you won’t mind as Richard’s story is heartfelt and true.

French Dirt is a gentle adventure of sorts — the American as an immigrant and the searching for a new identity in an old place.   If like me, you ever daydream, even just a little bit, about moving to a foreign country – this is a perfect afternoon-in-the-hammock summertime read. 

 

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The Unspeakable by Meghan Daum

This book of essays has gained some excellent reviews … so I was excited when it was my turn for the Kindle library book.

One reviewer said “Daum is her generation’s Joan Didion.”(Melissa Giannini).   I should have clued in to “her” generation’s Joan Didion.  I guess I’m in the actual Joan Didion generation –  she’s one of my favorite writers.  (Slouching Towards Bethlehem is brilliant.)

I also didn’t clue in to the title —  “Unspeakable” — which is truly accurate — these essays are beautifully written and some of her writing spoke right to my heart, but too often her writing made me anxiously squirm in my chair — uncomfortable with her uncensored candidness — as if watching a stranger undress or the Maury Povich Show.

Ms. Daum’s subject matter ranges from a coldly sad essay on matricide with harsh observations about her mother  — to the weird – playing charades with a group of Hollywood notables including Nicole Kidman.

In “Honorary Dyke” she disguises her slight homophobia as flirting with lesbianism.

The whole scene freaked me out enough to make me realize that I was not a lesbian so much as someone who appreciated a good haircut.

(I realized I was) Biologically straight, culturally lesbian.

See? Uncomfortably funny – I bet you’re hoping none of your gay friends see you giggling at this.

In “Difference Maker” Ms. Daum shares her experience of being both a big sister and a court appointed advocate for a foster child.  Her unflinching look at the reality of being a foster teen will break your heart.  She paints foster care, and the children within the system, in the harsh cruelty that it is.  Did you know there are ‘adoption fairs’ where foster children have 5 minutes per couple to plead why they should be adopted?  She nails it by calling this a barbaric form of speed dating. 

Ms. Daum likes to show off her incredible vocabulary using words such as opprobrium, quotidian  and hypnagogic.  Click to get the definitions – I had to to.

Happily, her writing is often thoughtful and quietly disarming. For me, her writing shines when she explores aging and evolving.

How did I get to be middle-aged without actually growing up?

I had not yet figured out that life is mostly an exercise in being something other than what we used to be while remaining fundamentally  — and sometimes maddeningly – who we are.

 To grow up and get to know yourself is primarily an exercise in taking things off the table.

Her thoughts on women’s culture are noteworthy, as in this precise take on the media

…all the crap in the media that suggests that not only are women a special interest group, they’re a group whose primary interest is themselves.

With great beauty, Ms. Daum reveals her uncertainty about getting married (she does) and her choice to remain child free (which she is).  But as I read her thoughtful angst over these major life decisions – I found her both immature and apologetic —  as if seeking our approval for her choices.

Our conversations and our sleep would remain uninterrupted.  Our lives would remain our own. Whether that was fundamentally sad or fundamentally exquisite, we’d probably never be sure. But who can be sure of such things?  And what so great about being sure anyway?

Unspeakable can be light and funny in parts, as in when Ms. Daum talks about not having the least interest in food or the “foodie” movement.

Once or twice my husband has suggested we take a cooking class together.  From my reaction, you would think he’d proposed that we volunteer to pick up trash alongside the highway.

And her secret desire to live at Downton Abbey:

More likely, I’d be dreaming of living at Downton Abbey.  Flu epidemics and abysmal women’s rights aside, I often think living in a Jacobethan mansion in the early twentieth century and having my meals cooked and served by professionals would suit me just fine.  That’s pretty preposterous, however.  In reality it would be a nightmare.  In reality I would be so intimidated by the servants and so awkward in their presence that the relief of not having to cook would be dwarfed by the pressure to make polite conversation.  I’d end up taking dinner in my bedroom every night, like a grieving widow or an unseemly visiting artist.

The final essay, Diary of a Coma recounts her infection with a deadly virus and she takes us step by tedious step through her symptoms and misdiagnosis and eventually being put into a medically induced coma.  Not for the queasy this, but nonetheless she contemplates her life, her judgmental tendencies, her shortsightedness and selfishness and vows to be a better person.  But in the end she knows she can’t be a better person — in fact she won’t even try — she will, in the end, remain the same person.   Her thoughts even as she faces death remain painfully unsentimental.

In summary, I read this collection of essays in uncomfortable but stunned disbelief – at Ms. Daum’s audacity, her often flawless writing, her shameless self-absorption — but most of all at her bravery – writing and exposing her uniquely own “unspeakable” mind.

 

 

My Life in France by Julia Child

Last night, I happened upon Julie and Julia on HBO. Although I have seen the film several times, I couldn’t help watching it again.  It’s a fun, but limited portrayal of Julia Child’s early years in France.  The sadly departed Nora Ephron based her screenplay on two memoirs — Julie and Julia by Julie Powell and My Life in France by Julia Child.

Skip Julie Powell’s memoir (I found it insipid) but if; 1) you adore food and travel, 2) own at least a few cookbooks (maybe one of which is Julia Child’s Mastering the Art of French Cooking), or 3) need to escape your own, perhaps routine, life for a more exciting one in post WWII France — then get your winter-weary self to your local bookstore or library and get a copy* of My Life In France.  You’ll thank me later.

Julia kept notes and letters, and in the last years of her life, she began to shape this book with her grandnephew Alex Prud’homme.  The result is a brilliant journey with Julia Child — to read this book is to be right with her in France —  tasting the food, smelling the baking bread, walking on the French cobblestones and embracing it all with Julia’s delight and gusto. This is an engaging story of Julia’s early isolation in a foreign country that at once confused but enthralled her, and she faces these challenges with  self-deprecation and charming self-confidence.

There is, of course, an abundance of French food. But there is also hard work  — from her struggles with learning French to outright chauvinism at the male-dominated Corden Bleu cooking school where Julia finally gains admittance.  You get a wonderful glimpse into the private lives of Julia and Paul and their remarkable marriage.  She tells of “making do” in post war France, of having to initially cook on a hot plate (this will not do!), spotty electrical service and need to shop at individual markets for each meal’s provisions.  There is a sober side to her memoir as she and Paul deal with an erroneous McCarthy investigation as a result of his OSS work.

Her struggles during the creation of her infamous two volume cookbook Mastering the Art of French Cooking (which shot to the best seller lists after the release of the Julie and Julia film) are fascinating as Julia painstakingly tests, re-tests and then tests again countless recipes.  The perfectionism in the development of her mayonnaise recipe caused me to crack open my copy of the cookbook just to read the recipe. (I have plans to attempt it one of these days.)  The differences between flour in France versus America causes great concern for an worthy cross-Atlantic baguette recipe.  She tells of the early troubles with the massive two-volume Mastering the Art of French Cooking — from the many titles considered to publisher rejects and her co-authors dramas.

Julia Child embraced all these experiences – good and bad – as part of a remarkable journey and she clearly loved everyone who accompanied her along the way.  This is not just a book about food, this is a book brimming with life — full of passion, wisdom and creation.  One can learn a lot from such a well lived life.  I hang on to my own copy of My Life In France for gloomy times and a quick dip into its chapters restores my faith in life as an exciting adventure.

 

Neither Here Nor There by Bill Bryson

I was in need of a book that would give me an escape and make me laugh. That’s when I’m grateful for Bill Bryson.
Neither Here nor There is a book I keep to re-read in just such circumstances and when I opened it again the other day — it did the trick — I immediately started to giggle.

From the back cover:

Like many of his generation, Bill Bryson backpacked across Europe in the early seventies — in search of enlightenment, beer, and women. Twenty years later he decided to retrace the journey he undertook in the halcyon days of his youth. The result is Neither Here Nor There, an affectionate and riotously funny pilgrimage from the frozen wastes of Scandinavia to the chaotic tumult of Istanbul, with stops along the way in Europe’s most diverting and historic locales.

Mr. Bryson starts his mid-life crisis journey in Hammerfest, Norway (as far north as you can get in the world by public means of transport, he says) and re-traces his 1970 trip through Europe encountering language barriers, seedy train station hotels and delightful characters along the way.

I could quote this book for pages but will restrain myself to my favorites, get your hands on a copy and find your own:

The best than can be said for Norwegian television is that it gives you the sensation of a coma without the worry and inconvenience.

Romans park their cars the way I would park if I had just spilled a beaker of hydrochloric acid on my lap.

In the evening, I went looking for a restaurant.  This is often a problem in Germany.  For one thing, there’s a good chance that there will be three guys in lederhosen playing polka music, so you have to look carefully through the windows and question the proprietor closely to make sure that Willi and the Bavarian Boys won’t suddenly bound onto a little stage a half-past eight.  It should have been written into the armistice treaty that the Germans would be required to lay down their accordions along with their arms. 

The problem is that the pedestrian cross lights (in Paris) have been designed with the clear purpose of leaving the foreign visitor confused, humiliated, and, if all goes according to plan, dead.

She gave me one of those impassive Gallic (as in French) shrugs – the kind where the chin is dropped to belt level and the ears are pushed to the top of the head with the shoulders.  It translates roughly as ‘Life is a bucket of shit, monsieur, I quite agree, and while I am prepared to acknowledge this fact I shall offer you no sympathy because monsieur, this is your bucket of shit’. 

As you may have now surmised, Mr. Bryson is not afraid to be politically incorrect (he calls France’s population ‘Insufferably French) but he is also a devoted traveler and relishes the wonder and beauty of other cultures and lands.

One of the small marvels of my first trip to Europe was the discovery that the world could be so full of variety, that there were so many different ways of doing essentially identical things, like eating and drinking and buying movie tickets. 

I arose each morning just after dawn, during that perfect hour when the air still has a fresh, unused feel to it, and watch the city (Rome) come awake — whistling shopkeepers sweeping up, pulling down awnings, pushing up shutters.

The Thomas Cook European Timetable  is possibly the finest book ever produced.  It is impossible to leaf through its five hundred pages of densely printed timetables without wanting to dump a double armload of clothes into an old Gladstone and just take off.  Every page whispers romance:  Montreux-Zweisimmen-Spiez-Interlacken or perhaps Beograd-Trieste-Venezia-Verona-Milano.  Who could recite these names without experiencing a tug of excitement?  Who could glance at such an itinerary and not want to climb aboard?  (Sadly, this guide is no longer published or even on-line – they went out of business in 2013.)

This re-read made my travelers feet itchy.  Mr. Byrson travels with open eyes, a sense of adventure, child-like wonder and a marvelous sense of humor.  A required skill set for every traveler.

N.B.  Neither Here nor There is also educational, you’ll learn important facts about each country.  For example, did you know that Liechtenstein is the world’s largest producer of sausage skins and dentures?

N.B.2 Stay tuned, we’re planning a trip to Switzerland  …hmm perhaps this itinerary — Montreux-Zweisimmen-Spiez-Interlacken

 

My Salinger Year Joanna Rakoff

Lets be clear, this is not a memoir specifically about J. D. Salinger, nor another sordid tale of having had an affair with him (thank goodness)–this is a memoir of a young woman working at his literary agency in the mid 1990’s.

Alright I can hear your yawns from here, but I’m always interested in the inner workings of the publishing industry and so I decided to read this memoir by Joanna Rakoff.

It’s the mid 1990’s and Joanna is 23 years old, and much like in The Devil Wears Prada, she really has no experience or interest in publishing but is thrilled to land an “assistant” position at a literary agency – referred to as “The Agency”.  This is one of those classy but underpaid positions that presumably one can brag about at dinner parties.  Ms. Rakoff has never read anything by Salinger and she thinks when agency staff refer to “Jerry”, their star client, they mean Jerry Seinfield.  In fact “Jerry” is their code name for J. D.  (Jerome David) Salinger, the notoriously reclusive author.

This is an old-school literary agency.  Here is a world of richly carpeted offices, no overhead florescent lighting — just shaded lamps, messengers, martini lunches and book-shelved lined hallways.  Computers are only whispered about by the staff.

Joanna is given strict orders to never give out any information on Salinger and the agency must protect his privacy at all costs.  Joanna’s main job is to answer Salinger’s many fan letters with a simple but curt form letter:

“Dear ___________
Many thanks for your recent letter to J.D. Salinger. As you may know, Mr. Salinger does not wish to receive mail from his readers. Thus, we cannot pass your kind note on to him. We thank you for you interest in Mr. Salinger’s books.

Best,  The Agency”

Her boss insists that Joanna type these letters out individually on a Selectric typewriter (using carbon paper) in order to give the fans a sense that an actual agency person has written back to them.  Joanna must also answer her boss’s phone and if “Jerry”calls she is to keep it short and take a detailed message.

Joanna’s personal life is a mess, she lives with a ghastly boyfriend in a run-down apartment with no heat or a kitchen sink (?).  She has, for no explanation, left the guy she really loves and he fled to California.  Her parents have presented her with all her college bills unexpectedly unpaid and used her credit cards to rack up debt that Joanna must some how pay down.  She’s broke financially and in her heart, so the agency is her only solace as Joanna is a lover of books, an avid reader and an aspiring poet.

There’s this lovely quote

 On authors: The strange wonder of powerful writing, engaged in like some act of reflective devotion, and then, sent out, as on the wind, to find some home with unknown readers who in turn receive this revelation and transformation. Literature not as `escape’, literature as engagement.

It’s fun when Joanna steers away from the standard form letter and tries writing personal letters to the Salinger fans – with disastrous results.  She hopes to become an agent and dips into the agency slush pile, finds an unknown author and tries to get her published.  Also in the end, Joanna actually meets Salinger when he make a rare appearance at the agency offices.

That, my friends is about all that was interesting about this memoir. I’ve just saved you the chore of reading it yourselves.   I did find some interesting parts about the inner workings of a literary agency – especially the care and feeding of Salinger himself.    The grand event of finally getting one office computer for everyone to share was amusing and there’s some sly literary name dropping.   This memoir covers a entire year of Ms. Rakoff’s life and it felt equally long to make it through this slow and overly-detailed story.  One of the professional reviewers mentioned that this memoir started out as a much shorter magazine story and perhaps it should have stayed in that form.

Advanced review copy provided by Alfred A. Knopf